Piyasa, starring Alp Navruz and İlayda Alişan, is coming to an early end. Produced by Pastel Film and airing on Kanal D, Piyasa will wrap up with its 6th episode.
About Piyasa:
When Salih Akın, a powerful media tycoon, is found dead in the bed of Ahsen Çevik, a gossip reporter at one of his channels, a scandal erupts, leaving his wife Keriman and their children reeling. Years later, Keriman retreats into mental instability, while Ahsen struggles to rebuild her life. Salih’s son, Kenan, rises as a narcissistic actor, prioritizing fame and pleasure until he meets Münevver, a headscarf-wearing girl from a coastal town. Raised as the caretaker of her cancer-stricken mother and siblings, Münevver reluctantly agrees to an arranged marriage with wealthy Adar to ease her family’s burdens. Her mother dies during her henna night, and when Adar attempts to force himself on her, Münevver flees to Istanbul with Ahsen’s help.
Their paths collide when Kenan mistakes Münevver for his lover on set, leading to a photographed kiss and a public altercation. To salvage their reputations, they spin it as a scripted scene, and Münevver is thrust into acting. As Kenan battles a slanderous accusation and Münevver grapples with her crumbling marriage to Adar, an unexpected bond forms. Kenan, obsessed, hires Münevver’s brother Server as an assistant, sparking further entanglements—including Server’s romance with Kenan’s sister, Asu.
Their secret love ignites amidst chaos: Keriman’s paranoia targets Münevver, Adar fights to reclaim her, and revelations unravel Kenan’s world—his father’s death was no affair but a violent assault on Ahsen. As Server falls into addiction and misunderstandings tear them apart, Münevver loses everything: her faith, her family, and Kenan. Stripping off her headscarf, she emerges tough and fearless, ready to conquer the industry as the story restarts from its seeming end.
A tale of love, betrayal, and transformation, “Piyasa” explores two souls—one jaded, one pure—whose collision blurs the lines between right and wrong, leaving them forever changed.
Source: Birsen Altuntaş
